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'''Louis Armstrong''', who goes by '''Armstrong''', is an assassin and bounty hunter. He is an [[Independents|Independent]] who infiltrated the [[Miss Castlerose|Castlerose]] mercenary agency and later joined [[Sui Juris]]. | '''Louis Armstrong''', who goes by '''Armstrong''', is an assassin and bounty hunter. He is an [[Independents|Independent]] who infiltrated the [[Miss Castlerose|Castlerose]] mercenary agency and later joined [[Sui Juris]]. | ||
Armstrong is a chubby black dude wearing a black-and-white jumpsuit with a white line down the middle that gives it the vibe of a tuxedo. He has quite a paunch and walks with a great degree of confidence. He carries a rifle over one shoulder. After the [[Miracle of the Mirage|Miracle]] he looks like a duck person with black feathers and an orange beak<ref>[[Twilight Mirage 51: Open As Possible]]</ref> because "he thinks it's cool".<ref>[[Twilight Mirage 57: The Siege of the Lineage Brighton Pt. 1]]</ref> | Armstrong is a chubby black dude wearing a black-and-white jumpsuit with a white line down the middle that gives it the vibe of a tuxedo. He has quite a paunch and walks with a great degree of confidence. He carries a rifle over one shoulder. After the [[Miracle of the Mirage (event)|Miracle]] he looks like a duck person with black feathers and an orange beak<ref>[[Twilight Mirage 51: Open As Possible]]</ref> because "he thinks it's cool".<ref>[[Twilight Mirage 57: The Siege of the Lineage Brighton Pt. 1]]</ref> | ||
Armstrong flies a big, brass-looking mean-looking ship that resembles a trumpet and has a stairwell that unfolds out of the horn.<ref>[[Twilight Mirage 16: An Approximation of a Connection]]</ref> When it flies, musical tones can be heard that vary based on the ship's speed and altitude.<ref>[[Twilight Mirage 15: A Life and A History]]</ref> | Armstrong flies a big, brass-looking mean-looking ship that resembles a trumpet and has a stairwell that unfolds out of the horn.<ref>[[Twilight Mirage 16: An Approximation of a Connection]]</ref> When it flies, musical tones can be heard that vary based on the ship's speed and altitude.<ref>[[Twilight Mirage 15: A Life and A History]]</ref> | ||
==Appears in== | ==Appears in== | ||
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*[[Twilight Mirage 15: A Life and A History]] (mentioned) | *[[Twilight Mirage 15: A Life and A History]] (mentioned) | ||
*[[Twilight Mirage 16: An Approximation of a Connection]] | *[[Twilight Mirage 16: An Approximation of a Connection]] | ||
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*[[Twilight Mirage 51: Open As Possible]] | *[[Twilight Mirage 51: Open As Possible]] | ||
*[[Twilight Mirage 53: Our Flaws in a Vacuum, or the Promise We Made To Each Other]] | *[[Twilight Mirage 53: Our Flaws in a Vacuum, or the Promise We Made To Each Other]] | ||
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==References== | ==References== | ||
Latest revision as of 21:39, 11 May 2024
This article is about the fictional assassin and bounty hunter. For the real life trumpeter, composer, singer and actor who lived from 1901 to 1971, see Louis Daniel Armstrong.
Louis Armstrong, who goes by Armstrong, is an assassin and bounty hunter. He is an Independent who infiltrated the Castlerose mercenary agency and later joined Sui Juris.
Armstrong is a chubby black dude wearing a black-and-white jumpsuit with a white line down the middle that gives it the vibe of a tuxedo. He has quite a paunch and walks with a great degree of confidence. He carries a rifle over one shoulder. After the Miracle he looks like a duck person with black feathers and an orange beak[1] because "he thinks it's cool".[2]
Armstrong flies a big, brass-looking mean-looking ship that resembles a trumpet and has a stairwell that unfolds out of the horn.[3] When it flies, musical tones can be heard that vary based on the ship's speed and altitude.[4]
Appears in[edit | edit source]
- Twilight Mirage 15: A Life and A History (mentioned)
- Twilight Mirage 16: An Approximation of a Connection
- Twilight Mirage 22: godspeed, glory Pt. 1 (mentioned)
- Twilight Mirage 23: godspeed, glory Pt. 2
- Twilight Mirage 24: godspeed, glory Pt. 3
- Twilight Mirage 51: Open As Possible
- Twilight Mirage 53: Our Flaws in a Vacuum, or the Promise We Made To Each Other