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| rowspan="2" |"[https://notquitereal.bandcamp.com/track/the-long-way-around The Long Way Around]" | | rowspan="2" |"[https://notquitereal.bandcamp.com/track/the-long-way-around The Long Way Around]" | ||
| rowspan="2" |1:44 | | rowspan="2" |1:44 | ||
|0 - 44 | |0 - 44 <br> | ||
| | |Intro & Outro | ||
| rowspan="2" |The world is far, far from here, filled with piloted robots and flickering lights and organisations digging ever deeper into the ice on remote planets. | | rowspan="2" |The world is far, far from here, filled with piloted robots and flickering lights and organisations digging ever deeper into the ice on remote planets. | ||
|- | |- | ||
|44 | |44 | ||
|2:24:48 | |||
|- | |- | ||
|2. | |2. | ||
|"[https://notquitereal.bandcamp.com/track/the-sermon-of-sister-rust The Sermon Of Sister Rust]" | |"[https://notquitereal.bandcamp.com/track/the-sermon-of-sister-rust The Sermon Of Sister Rust]" | ||
|3:27 | |3:27 | ||
|18 | |18 | ||
|58:48 | |||
|In the ruins of Seabed City, in a church where little birds shift and rustle in the rafters, Sister Rust addresses her congregation. | |In the ruins of Seabed City, in a church where little birds shift and rustle in the rafters, Sister Rust addresses her congregation. | ||
|- | |- | ||
Line 40: | Line 40: | ||
| rowspan="4" |"[https://notquitereal.bandcamp.com/track/the-antenna The Antenna]" | | rowspan="4" |"[https://notquitereal.bandcamp.com/track/the-antenna The Antenna]" | ||
| rowspan="4" |1:26 | | rowspan="4" |1:26 | ||
|17 | |17 | ||
|22:40 | |||
| rowspan="4" |A gift. Metal that has died twice. | | rowspan="4" |A gift. Metal that has died twice. | ||
|- | |- | ||
|18 | |18 | ||
| | |Intro | ||
|- | |- | ||
|26 | |26 | ||
|1:07:40 | |||
|- | |- | ||
|43 | |43 | ||
|1:17:33 | |||
|- | |- | ||
| 4. | | 4. | ||
Line 61: | Line 61: | ||
|Recorded in one take on an iPhone. My first attempt at the whole song. | |Recorded in one take on an iPhone. My first attempt at the whole song. | ||
|- | |- | ||
|5. | | rowspan="2" |5. | ||
|"[https://notquitereal.bandcamp.com/track/the-tower-as-built-by-the-divine-candidate-chital The Tower, As Built By The Divine Candidate Chital]" | | rowspan="2" |"[https://notquitereal.bandcamp.com/track/the-tower-as-built-by-the-divine-candidate-chital The Tower, As Built By The Divine Candidate Chital]" | ||
|2:06 | | rowspan="2" |2:06 | ||
|27 | |27 | ||
| | |Intro; 3:03:02 | ||
|Long ago, on a snow covered planet, the man who will - for a short time - be known as Chital puts on his boots. | | rowspan="2" |Long ago, on a snow covered planet, the man who will - for a short time - be known as Chital puts on his boots. | ||
|- | |- | ||
| | |29 | ||
| | |Intro | ||
|- | |- | ||
|6. | |6. | ||
|"[https://notquitereal.bandcamp.com/track/aria-joie-sings-the-blues-sakura-track-pack Aria Joie Sings The Blues (Sakura Track Pack)]" | |"[https://notquitereal.bandcamp.com/track/aria-joie-sings-the-blues-sakura-track-pack Aria Joie Sings The Blues (Sakura Track Pack)]" | ||
|1:13 | |1:13 | ||
|27 (1:17:05; 2:05:04) | |27 | ||
|(1:17:05; 2:05:04) | |||
|EarthHome Entertainment provides this Track Pack for use in your personal music projects! Any unauthorized use will be met with legal action! | |EarthHome Entertainment provides this Track Pack for use in your personal music projects! Any unauthorized use will be met with legal action! | ||
|- | |- | ||
Line 85: | Line 81: | ||
|"[https://notquitereal.bandcamp.com/track/all-of-the-different-trees-that-there-are All Of The Trees That There Are]" | |"[https://notquitereal.bandcamp.com/track/all-of-the-different-trees-that-there-are All Of The Trees That There Are]" | ||
|1:22 | |1:22 | ||
|27 (0:37:48; 1:39:34) | |27 | ||
|(0:37:48; 1:39:34) | |||
|These trees are cold and hard. Even the cutting lasers don't do much. | |These trees are cold and hard. Even the cutting lasers don't do much. | ||
|- | |- | ||
|8. | | rowspan="3" |8. | ||
|"[https://notquitereal.bandcamp.com/track/loves-first-explosion Love's First Explosion]" | | rowspan="3" |"[https://notquitereal.bandcamp.com/track/loves-first-explosion Love's First Explosion]" | ||
|1:24 | | rowspan="3" |1:24 | ||
|27 | |27 <br><br> | ||
| | |(52:52); | ||
|The kid who would go on to be known as Aria was always early for her piano lessons. | | rowspan="3" |The kid who would go on to be known as Aria was always early for her piano lessons. | ||
|- | |- | ||
| | |28 | ||
| | |(1:28:44); | ||
|- | |- | ||
| | |43 | ||
| | |(1:39:10) | ||
|- | |- | ||
|9. | | rowspan="3" |9. | ||
|"[https://notquitereal.bandcamp.com/track/rigour Rigour]" | | rowspan="3" |"[https://notquitereal.bandcamp.com/track/rigour Rigour]" | ||
|1:47 | | rowspan="3" |1:47 | ||
|27 (2:29:40); | |27 | ||
| | |(2:29:40); | ||
|The sound came from beneath the ice, or from the ice, or within the ice. The distinction is no longer important. | | rowspan="3" |The sound came from beneath the ice, or from the ice, or within the ice. The distinction is no longer important. | ||
|- | |- | ||
| | |39 | ||
| | |(Outro); | ||
|- | |- | ||
| | |43 | ||
| | |(44:40) | ||
|- | |- | ||
|10. | | rowspan="3" |10. | ||
|"[https://notquitereal.bandcamp.com/track/- -.-- --- ..- .-. / .-- --- .-. ... - / -.. .- -.-- ...]"<ref group="note">YOUR WORST DAYS</ref> | | rowspan="3" |"[https://notquitereal.bandcamp.com/track/- -.-- --- ..- .-. / .-- --- .-. ... - / -.. .- -.-- ...]"<ref group="note">YOUR WORST DAYS</ref> | ||
|2:10 | | rowspan="3" |2:10 | ||
|27 | |27 <br><br> | ||
| | |(Outro); | ||
|.. - / .. ... / -.-. --- -- .. -. --. --..-- / .. - / .. ... / -.-. --- -- .. -. --. --..-- / .. - / .. ... / --- -. / .. - ... / .-- .- -.-- --..-- / .. - / .. ... / -.-. --- -- .. -. --. / .- - / .-.. .- ... - --..-- / .. - / .... .- ... / .-- --- -.- . -. / ..-. .-. --- -- / -... . -. . .- - .... / - .... . / .. -.-. .<ref group="note">IT IS COMING, IT IS COMING, IT IS ON ITS WAY, IT IS COMING AT LAST, IT HAS WOKEN FROM BENEATH THE ICE</ref> | | rowspan="3" |.. - / .. ... / -.-. --- -- .. -. --. --..-- / .. - / .. ... / -.-. --- -- .. -. --. --..-- / .. - / .. ... / --- -. / .. - ... / .-- .- -.-- --..-- / .. - / .. ... / -.-. --- -- .. -. --. / .- - / .-.. .- ... - --..-- / .. - / .... .- ... / .-- --- -.- . -. / ..-. .-. --- -- / -... . -. . .- - .... / - .... . / .. -.-. .<ref group="note">IT IS COMING, IT IS COMING, IT IS ON ITS WAY, IT IS COMING AT LAST, IT HAS WOKEN FROM BENEATH THE ICE</ref> | ||
|- | |- | ||
| | |40 | ||
| | |(Intro); | ||
|- | |- | ||
| | |42 | ||
| | |(1:15:16) | ||
|- | |- | ||
| 11. | | 11. | ||
| "[https://notquitereal.bandcamp.com/track/the-third-time The Third Time]" | | "[https://notquitereal.bandcamp.com/track/the-third-time The Third Time]" | ||
|1:09 | |1:09 | ||
|40 (1:15:06) | |40 | ||
|(1:15:06) | |||
|Perhaps, somewhere in the distant future, geologists will wonder about the crater on the planet once called September. | |Perhaps, somewhere in the distant future, geologists will wonder about the crater on the planet once called September. | ||
|- | |- | ||
Line 162: | Line 134: | ||
|"[https://notquitereal.bandcamp.com/track/this-is-a-delay This Is A Delay]" | |"[https://notquitereal.bandcamp.com/track/this-is-a-delay This Is A Delay]" | ||
|2:42 | |2:42 | ||
|40 (1:16:40) | |40 | ||
|(1:16:40) | |||
| - .... .. ... / .. ... / -. --- - / .- / ...- .. -.-. - --- .-. -.--<ref group="note">THIS IS NOT A VICTORY</ref> | | - .... .. ... / .. ... / -. --- - / .- / ...- .. -.-. - --- .-. -.--<ref group="note">THIS IS NOT A VICTORY</ref> | ||
|- | |- | ||
|13. | | rowspan="2" |13. | ||
|"[https://notquitereal.bandcamp.com/track/sigilia-breathes Sigilia Breathes]" | | rowspan="2" |"[https://notquitereal.bandcamp.com/track/sigilia-breathes Sigilia Breathes]" | ||
| 1:15 | | rowspan="2" | 1:15 | ||
|40 (1:22:56); | |40 | ||
| | |(1:22:56); | ||
|"So permanently." | | rowspan="2" |"So permanently." | ||
|- | |- | ||
| | |43 | ||
| | |(21:00) | ||
|- | |- | ||
|14. | |14. | ||
Line 184: | Line 152: | ||
|"[https://notquitereal.bandcamp.com/track/shes-one-of-them She's One Of Them]" | |"[https://notquitereal.bandcamp.com/track/shes-one-of-them She's One Of Them]" | ||
|1:08 | |1:08 | ||
|40 (1:24:42) | |40 | ||
|(1:24:42) | |||
|How righteous do you think you are? | |How righteous do you think you are? | ||
|- | |- | ||
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| rowspan="2" |"[https://notquitereal.bandcamp.com/track/old-songs-now Old Songs Now]" | | rowspan="2" |"[https://notquitereal.bandcamp.com/track/old-songs-now Old Songs Now]" | ||
| rowspan="2" |0:33 | | rowspan="2" |0:33 | ||
|40 (1:25:49; Outro); | |40 | ||
|(1:25:49; Outro); | |||
| rowspan="2" |We have been there before and we'll go there again. | | rowspan="2" |We have been there before and we'll go there again. | ||
|- | |- | ||
| 43 (2:33:27) | | 43 | ||
|(2:33:27) | |||
|- | |- | ||
|16. | |16. | ||
|"[https://notquitereal.bandcamp.com/track/maryland Maryland?]" | |"[https://notquitereal.bandcamp.com/track/maryland Maryland?]" | ||
|1:16 | |1:16 | ||
|40 (1:31:43) | |40 | ||
|(1:31:43) | |||
| "You know what this is?" | | "You know what this is?" | ||
|- | |- | ||
Line 208: | Line 176: | ||
| rowspan="3" |"[https://notquitereal.bandcamp.com/track/everything-at-last-must-come-to-an-end Everything At Last Must Come To An End]" | | rowspan="3" |"[https://notquitereal.bandcamp.com/track/everything-at-last-must-come-to-an-end Everything At Last Must Come To An End]" | ||
| rowspan="3" |2:07 | | rowspan="3" |2:07 | ||
|41 (Outro); | |41 | ||
|(Outro); | |||
| rowspan="3" |.. - .----. ... / .... . .-. .<ref group="note">IT'S HERE</ref> | | rowspan="3" |.. - .----. ... / .... . .-. .<ref group="note">IT'S HERE</ref> | ||
|- | |- | ||
|42 (1:32:10); | |42 | ||
|(1:32:10); | |||
|- | |- | ||
|43 (interstitial) | |43 | ||
|(interstitial) | |||
|- | |- | ||
|18. | |18. | ||
|"[https://notquitereal.bandcamp.com/track/cassander-timaeus-berenice Cassander Timaeus Berenice]" | |"[https://notquitereal.bandcamp.com/track/cassander-timaeus-berenice Cassander Timaeus Berenice]" | ||
|1:31 | |1:31 | ||
|43 (1:48:20) | |43 | ||
|(1:48:20) | |||
|"I love you." | |"I love you." | ||
|} | |} | ||
<references group="note" /> |
Revision as of 08:54, 23 November 2022
hi! i'm rosa (@humanmorph almost everywhere). fero feritas is my very special favourite guy. currently listening to Twilight Mirage (almost done!) and Bluff City (halfway through Season 1).
TO-DO:
- Hieron character pages are not up to date (SiH, possibly WiH for some)
- work on text for Zoo Fiasco characters
- create pages for LatT characters (You Can Check Out Any Time You Like, But You Can Never Leave, Bell Songs)
- plot summaries for LatT episodes (relisten + take notes?)
TEST SOUNDTRACK TABELLE
Track listing
No. | Title | Length | Episode | Time | Description |
---|---|---|---|---|---|
1. | "The Long Way Around" | 1:44 | 0 - 44 |
Intro & Outro | The world is far, far from here, filled with piloted robots and flickering lights and organisations digging ever deeper into the ice on remote planets. |
44 | 2:24:48 | ||||
2. | "The Sermon Of Sister Rust" | 3:27 | 18 | 58:48 | In the ruins of Seabed City, in a church where little birds shift and rustle in the rafters, Sister Rust addresses her congregation. |
3. | "The Antenna" | 1:26 | 17 | 22:40 | A gift. Metal that has died twice. |
18 | Intro | ||||
26 | 1:07:40 | ||||
43 | 1:17:33 | ||||
4. | "The Sermon Of Sister Rust (Demo)" | 3:30 | n/a | Recorded in one take on an iPhone. My first attempt at the whole song. | |
5. | "The Tower, As Built By The Divine Candidate Chital" | 2:06 | 27 | Intro; 3:03:02 | Long ago, on a snow covered planet, the man who will - for a short time - be known as Chital puts on his boots. |
29 | Intro | ||||
6. | "Aria Joie Sings The Blues (Sakura Track Pack)" | 1:13 | 27 | (1:17:05; 2:05:04) | EarthHome Entertainment provides this Track Pack for use in your personal music projects! Any unauthorized use will be met with legal action! |
7. | "All Of The Trees That There Are" | 1:22 | 27 | (0:37:48; 1:39:34) | These trees are cold and hard. Even the cutting lasers don't do much. |
8. | "Love's First Explosion" | 1:24 | 27 |
(52:52); | The kid who would go on to be known as Aria was always early for her piano lessons. |
28 | (1:28:44); | ||||
43 | (1:39:10) | ||||
9. | "Rigour" | 1:47 | 27 | (2:29:40); | The sound came from beneath the ice, or from the ice, or within the ice. The distinction is no longer important. |
39 | (Outro); | ||||
43 | (44:40) | ||||
10. | "-.-- --- ..- .-. / .-- --- .-. ... - / -.. .- -.-- ..."[note 1] | 2:10 | 27 |
(Outro); | .. - / .. ... / -.-. --- -- .. -. --. --..-- / .. - / .. ... / -.-. --- -- .. -. --. --..-- / .. - / .. ... / --- -. / .. - ... / .-- .- -.-- --..-- / .. - / .. ... / -.-. --- -- .. -. --. / .- - / .-.. .- ... - --..-- / .. - / .... .- ... / .-- --- -.- . -. / ..-. .-. --- -- / -... . -. . .- - .... / - .... . / .. -.-. .[note 2] |
40 | (Intro); | ||||
42 | (1:15:16) | ||||
11. | "The Third Time" | 1:09 | 40 | (1:15:06) | Perhaps, somewhere in the distant future, geologists will wonder about the crater on the planet once called September. |
12. | "This Is A Delay" | 2:42 | 40 | (1:16:40) | - .... .. ... / .. ... / -. --- - / .- / ...- .. -.-. - --- .-. -.--[note 3] |
13. | "Sigilia Breathes" | 1:15 | 40 | (1:22:56); | "So permanently." |
43 | (21:00) | ||||
14. | "She's One Of Them" | 1:08 | 40 | (1:24:42) | How righteous do you think you are? |
15. | "Old Songs Now" | 0:33 | 40 | (1:25:49; Outro); | We have been there before and we'll go there again. |
43 | (2:33:27) | ||||
16. | "Maryland?" | 1:16 | 40 | (1:31:43) | "You know what this is?" |
17. | "Everything At Last Must Come To An End" | 2:07 | 41 | (Outro); | .. - .----. ... / .... . .-. .[note 4] |
42 | (1:32:10); | ||||
43 | (interstitial) | ||||
18. | "Cassander Timaeus Berenice" | 1:31 | 43 | (1:48:20) | "I love you." |