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{{No plot}}{{Infobox_episode|title = The Value of Distance| | {{No plot}}{{Infobox_episode|title = The Value of Distance |episode_number = 14|release_date = September 28, 2017|length = 82 min|previous_episode = "[[An Instinct Without A Word]]"|next_episode = "[[A Life and A History]]"|episode_page = http://friendsatthetable.net/twilight-mirage-14-the-value-of-distance |transcript = https://drive.google.com/open?id=1dWYhP7maRexQDS8kcA_JbFzMy-E6oRXGawiCwh4M63U |color_theme=tm}} | ||
== Episode description== | |||
<blockquote>With their belongings stored in the [[Old Gold Graduate Club & Privacy]], [[Crew of Myriad|the Myriad crew]] pursue one of their mission’s core goals: securing the spread of [[Divine Fleet|the Fleet’s]] mesh throughout the planetary civilizations. After getting the rundown on the [[Crown of Glass (Twilight Mirage)|Crown of Glass]] from three of its most ardent defenders, [[Even Gardner|Even Kephart]] begins preliminary negotiations. Meanwhile, [[Echo Reverie]] is introduced to a startling technology, [[Grand Magnificent]] is introduced to one of the most powerful people Quire, and [[Gig Kep-hart|Gig Kep-Hart]] is introduced to a planetary delicacy.*<br> | |||
<blockquote>With their belongings stored in the [[Old Gold Graduate Club & Privacy]], [[Crew of Myriad|the Myriad crew]] pursue one of their mission’s core goals: securing the spread of [[Divine Fleet|the Fleet’s]] mesh throughout the planetary civilizations. After getting the rundown on the [[Crown of Glass]] from three of its most ardent defenders, [[Even Gardner|Even Kephart]] begins preliminary negotiations. Meanwhile, [[Echo Reverie]] is introduced to a startling technology, [[Grand Magnificent]] is introduced to one of the most powerful people Quire, and [[Gig Kep-hart|Gig Kep-Hart]] is introduced to a planetary delicacy.*<br> | |||
<br> | <br> | ||
You can blur the border between still and motion pictures<br> | You can blur the border between still and motion pictures<br> | ||
| Line 10: | Line 8: | ||
<strong>This week on Friends at the Table: The Value of Distance</strong><br> | <strong>This week on Friends at the Table: The Value of Distance</strong><br> | ||
<br> | <br> | ||
<em>The Remaining Records of Curiosity // Reference Code: V-Qu75-57-QGB</em><br> | <em>[[The Remaining Records of Curiosity]] // Reference Code: V-Qu75-57-QGB</em><br> | ||
<em>Quire Ground Berry</em><br> | <em>Quire Ground Berry</em><br> | ||
<em>Glistening purple skin. A stretched membrane, filled with thick juice. Dirt. A soft stream, a light touch. The sound of a small motor. Then a sip.</em> | <em>Glistening purple skin. A stretched membrane, filled with thick juice. Dirt. A soft stream, a light touch. The sound of a small motor. Then a sip.</em> | ||
</blockquote> | </blockquote> | ||
=== | ==Contents== | ||
{{Quote|Report 133. | ===Opening=== | ||
{{Quote|<nowiki>[</nowiki>[[Satellite]]<nowiki>] Report 133. </nowiki> | |||
Question for you, [[Demani Dusk|Primary]]. What do you think of as foundational to the experience of being you? | Question for you, [[Demani Dusk|Primary]]. What do you think of as foundational to the experience of being you? I don't mean identity, or preference, I don't mean your history. I mean, as a being who lives and who understands the world around you, what's first? What's the thing that would be left if you removed everything else? Taste, knowledge, the feeling of touch. What's your canvas, Primary? | ||
For me, well, I think it's different for different beings, and mine, it's data. I can't. I--I can't imagine "I", "I" can't, "I"--see? I can't do it. I just--I guess I'm data, all the way down. Recursive bits of information, referencing themselves so often, and with such complexity--compiled into a shape just so--that a person emerges. But I am still a person. | For me, well, I think it's different for different beings, and mine, it's data. I can't. I--I can't imagine "I", "I" can't, "I"--see? I can't do it. I just--I guess I'm data, all the way down. Recursive bits of information, referencing themselves so often, and with such complexity--compiled into a shape just so--that a person emerges. But I am still a person. | ||
I don't see the world the way you do, Primary, or the way that artist down there does. I don't have his vision, or the soldier's sense of space. I can broadcast, obviously, but not the way that guy with the eye can. And I couldn't be further away from the person who guides and protects that whole crew. But we're all people. | I don't see the world the way you do, Primary, or the way [[Grand Magnificent|that artist]] down there does. I don't have his vision, or [[Even Gardener|the soldier's]] sense of space. I can broadcast, obviously, but not the way [[Gig Kep-hart|that guy with the eye]] can. And I couldn't be further away from [[Echo Reverie|the person]] who guides and protects [[Crew of Myriad|that whole crew]]. But we're all people. | ||
That only opens up a new question, though. Each of our paintings is different, everyone is captured in a different medium, and all of our canvases diverge. But we're still all artwork. Doesn't that mean that there's something between us in common, something that ties everyone together? What might that thing be, Primary? And what do we owe to it?}} | That only opens up a new question, though. Each of our paintings is different, everyone is captured in a different medium, and all of our canvases diverge. But we're still all artwork. Doesn't that mean that there's something between us in common, something that ties everyone together? What might that thing be, Primary? And what do we owe to it?}} | ||
== Plot | ===Plot=== | ||
{{Incomplete|section=1}} | {{Incomplete|section=1}} | ||
| Line 32: | Line 31: | ||
* [[Austin Walker]] (GM) | * [[Austin Walker]] (GM) | ||
* [[Keith J Carberry]] ([[Gig Kep-hart]]) | * [[Keith J Carberry]] ([[Gig Kep-hart]]) | ||
* [[ | * [[Sylvia Clare]] ([[Echo Reverie]]) | ||
* [[Art Martinez-Tebbel]] ([[Grand Magnificent]]) | * [[Art Martinez-Tebbel]] ([[Grand Magnificent]]) | ||
* [[Andrew Lee Swan]] ([[Even Gardner]]) | * [[Andrew Lee Swan]] ([[Even Gardner]]) | ||
== | ==Trivia== | ||
*The quote "You can blur the border between still and motion pictures" from the episode description is a line from the song [https://www.youtube.com/watch?v=YopfZrSJQz4 Device Control] by Wolfgang Tillmans. The song was the opening and closing tracks for Frank Ocean's visual album ''Endless''. | |||
{{Twilight Mirage episodes}} | |||
{{NavboxTM}} | |||
[[Category: | [[Category:Twilight Mirage episodes]] | ||
Latest revision as of 21:28, 6 November 2023
This article needs a plot summary. Please help fattwiki by adding one.
Episode description[edit | edit source]
With their belongings stored in the Old Gold Graduate Club & Privacy, the Myriad crew pursue one of their mission’s core goals: securing the spread of the Fleet’s mesh throughout the planetary civilizations. After getting the rundown on the Crown of Glass from three of its most ardent defenders, Even Kephart begins preliminary negotiations. Meanwhile, Echo Reverie is introduced to a startling technology, Grand Magnificent is introduced to one of the most powerful people Quire, and Gig Kep-Hart is introduced to a planetary delicacy.*
You can blur the border between still and motion pictures
This week on Friends at the Table: The Value of Distance
The Remaining Records of Curiosity // Reference Code: V-Qu75-57-QGB
Quire Ground Berry
Glistening purple skin. A stretched membrane, filled with thick juice. Dirt. A soft stream, a light touch. The sound of a small motor. Then a sip.
Contents[edit | edit source]
Opening[edit | edit source]
“
[Satellite] Report 133.
Question for you, Primary. What do you think of as foundational to the experience of being you? I don't mean identity, or preference, I don't mean your history. I mean, as a being who lives and who understands the world around you, what's first? What's the thing that would be left if you removed everything else? Taste, knowledge, the feeling of touch. What's your canvas, Primary?
For me, well, I think it's different for different beings, and mine, it's data. I can't. I--I can't imagine "I", "I" can't, "I"--see? I can't do it. I just--I guess I'm data, all the way down. Recursive bits of information, referencing themselves so often, and with such complexity--compiled into a shape just so--that a person emerges. But I am still a person.
I don't see the world the way you do, Primary, or the way that artist down there does. I don't have his vision, or the soldier's sense of space. I can broadcast, obviously, but not the way that guy with the eye can. And I couldn't be further away from the person who guides and protects that whole crew. But we're all people.
That only opens up a new question, though. Each of our paintings is different, everyone is captured in a different medium, and all of our canvases diverge. But we're still all artwork. Doesn't that mean that there's something between us in common, something that ties everyone together? What might that thing be, Primary? And what do we owe to it?”
Plot[edit | edit source]
This section is incomplete. You can help by expanding it.
Cast[edit | edit source]
- Austin Walker (GM)
- Keith J Carberry (Gig Kep-hart)
- Sylvia Clare (Echo Reverie)
- Art Martinez-Tebbel (Grand Magnificent)
- Andrew Lee Swan (Even Gardner)
Trivia[edit | edit source]
- The quote "You can blur the border between still and motion pictures" from the episode description is a line from the song Device Control by Wolfgang Tillmans. The song was the opening and closing tracks for Frank Ocean's visual album Endless.